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Lady Gaga’s Bad Romance – The Occult Meaning

Lady Gaga’s videos and performances are extremely symbolic and filled with hidden messages. Her latest video, named “Bad Romance”, describes the dark and ritualistic inner-workings of the entertainment industry, by symbolically depicting Gaga as a sex slave. This article examines the occult symbols present in the video and its hidden meaning.

The video for the song Bad Romance is a mix of deep symbolism with sheer randomness, creative fashion with corporate product placements and modern day decadence with religious imagery, all rolled up in a great big music industry celebration. Gaga uses her odd-ball theatrical presence to its full extent to shock, creep-out and fascinate the viewers. If you’ve read my other articles on Lady Gaga (see Lady Gaga, The Illuminati Puppet pt 1 and pt 2), you’ll already be aware of the occult symbols permeating her imagery. I’ve mentioned the presence of mind control elements, of the horned god Baphomet, of secret societies and so on. Far from steering away from those themes, Gaga’s latest offering incorporates all of them in this video, which is a great big metaphor for the music industry. Let’s look at the song.

Bad Romance is the first single out of Gaga’s Fame Monster album. If you look back at her past works, the main message of her music is that she is willing to do anything, even sacrifice herself, to obtain fame. The video continues in the same vein by depicting Gaga as a willing victim in the music industry’s shady inner-workings. She wants to live a Bad Romance with the abusive, cruel and satanic music industry. She’s aware of all of its flaws but she still desires to be part of it more than anything else. She is a Fame Monster…she feeds off of fame…she enjoys being famous…if she is not famous, she’ll die or something…you get the picture. At face value, the song lyrics seem to be about her wanting to get “banged” by a kind of psychopath, but the video reveals that the psychopath is in fact the music industry.

The song starts with a weird chant that goes

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

This is the type of senseless crap drunk people like to yell in those disco dance parties you crazy kids go to. Is there a deeper meaning to it? Gaga announces it in a weird, gothic accent, in the manner of a ceremonial/incantation, a little like the “Bum-bum-bedum” of Rihanna’s Disturbia (article here). Ra, as the name of the ancient Egyptian sun god, is still of great importance in today’s occultism (see the “Eye of Ra”, the All-Seeing Eye). Roma may be a reference to the roman catholic church, but I’m not sure. This could be interpreted in many ways so I won’t linger on it.

I want your ugly
I want your disease
I want your everything
As long as it’s free
I want your love
(Love-love-love I want your love)

I want your drama
The touch of your hand
I want your leather-studded kiss in the sand
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Right away, it is obvious that the love that Gaga is seeking is wrong and sick. She’s a sex slave and apparently, she likes it. She knows that the industry is ugly but she still wants in. There is an obvious sense of sadomasochism, as she seems to know that this love (of success in the music industry) will hurt her and treat her badly, but she’s up for it. As we will examine in the video, there is also a spiritual meaning to the lyrics where fame equals submitting to the dark, satanic side of the music industry. In other words, the song is also about submitting to evil and the imagery of the video corroborates this fact.

I want your horror
I want your design
‘Cause you’re a criminal
As long as your mine
I want your love
(Love-love-love I want your love-uuhh)

I want your psycho
Your vertigo stick
Want you in my rear window
Baby you’re sick
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Here again, there is a mix of the “horror” of evil with hardcore sex references, which convey the fact that she wants to be “penetrated” by this evil influence in order to gain its favors. There are references to Hitchcock movies (Psycho, Vertigo) that are cleverly turned into sexually explicit lyrics.

During the bridge, Gaga sings emotionally “I don’t wanna be friends“. She does not want to be an outsider of the music industry, she wants to be part of it. Later she says “I want your love and, All your lovers’ revenge”, which means that she wants all of the attention of the music industry to the point that she also wants the “hate” of the artists who are jealous of her.

Of course, the lyrics are open to interpretation but the visuals of the video really give a particular meaning to the words. Gaga is not singing to a person, but to a group, an entity, an organization. She is singing to the Illuminati, to the music industry, to Baphomet: to the ones that have the power to make her famous. She wants to be part of that sinister and corrupt system and write a Bad Romance with it.

Analysis of the Video

The video is dense with symbols and odd images. Some are significant while others seem to be random. It is obvious that the whole concept is a huge allegory for the reality of fame. She plays the role of a mind-controlled and drugged sex slave who is prepared to get auctioned to members of the Russian mafia. Here’s the video.

 

Main Story Line

The video starts with Gaga emerging from what looks like a high-tech coffin or maybe a sensory deprivation tank.

At the beginning of the video, she is deprived of her senses. Either her eyes, her ears or her nose are covered. Sensory deprivation is a torture technique used on prisoners or mind controlled slaves in order to “break” them and to facilitate their re-education. She is a beginner, an amateur and she doesn’t really know what she’s doing.

In one scene, she is wearing thick sunglasses and talking to herself through a mirror.

 

Gaga then bathes herself to “wash off her sins” as Gaga said in an interview about the video. She is “wide-eyed” and innocent but we’ll see that she’ll gradually turn into a “Fame Monster”.

She is then roughly handled by two women. She fights them but she finally accepts her fate and even raises her hands in praise.

 

Throughout the video, there is a back and forth between her being forced to go through with her duties as a slave and her willingness to go through with them. She is then forced to drink some vodka, which is in fact an MTV-friendly substitute for drugs. Mind controlled sex slaves are heavily drugged to numb their thoughts and make them easy to manipulate.

Gaga is then undressed and forced to perform in front of a bunch of men. Those mafioso can represent the Illuminati, the dark force ruling the music industry. The masks represent their hidden nature. Each individual represents a record company, and they are bidding to see who will sign her.

 Gaga seems to be well aware of what is happening and she chooses to charm a particular guy, who seems to have what she wants. The masked man seems to enjoy what is happening to him and bids to obtain her.

Gaga is then required to fulfill her duties as a sex slave by…you’ve guessed it… having sex with the winning bidder. So she proceeds into a very symbolic room.

On each side of the bed are gazelle heads, who symbolically refer to Baphomet, the horned idol of Western occultism.

If you’ve read my other articles on the music industry, you already know of the frequent use of the likeness of Baphomet in music videos and pictures. My past articles on Gaga have shown her posing in the same way as the image above. Strategically placed horned heads have appeared in her past videos and photo shoots. Having said that, the presence of those horned heads in that room is not merely decorative, it is very symbolic.

Gaga is “offering herself” at the altar of Baphomet in order to become initiated and accepted into the Order. She does not want “to be friends” with the music industry, she wants to be an insider (she’s not a “Fame Monster” for nothing). So this offering gets consumed by fire, and not sex, because it is about Baphomet and not the Russian guy. He was just a means for her to obtain what she wanted..fame.

When the fire starts, another scene plays simultaneously showing Gaga and masked dancers dressed in red, the color of sacrifice and initiation. The virginal white garments she wore during most of the video are replaced by bloody red, a visual confirmation of the fact that she is now initiated and accepted as an insider. In my article on the 2009 VMA awards (article here), we see that Lady Gaga and Taylor Swift start out the show wearing white garments and, after a symbolic performance, they appear completely dressed in red. The codes of the music industry seem to be used over and over again, in videos, award shows and photo shoots.

Gaga then makes her trademark “Eye in the triangle” hand gesture after her initiation to make it clear who owns her now…the Illuminati.

The final scene shows Gaga lying in bed with the burned skeleton of the Russian mafiosi.

Notice how everything is burnt except the two gazelle heads. The real “intercourse” happened between Gaga and Baphomet. The guy was a tool, a middle-man who was sacrificed in the process of Gaga’s initiation.

So Gaga basically went through the steps a mega-pop star has to go through in order to “make it big” in the music industry.  She ultimately got what she wanted and apparently played the game on her own terms. Let’s see how that works out for her.

Other Symbols

Aside from the main storyline, the video is riddled with numerous symbols and images which are occult in nature. Here are some of them:

Sun Symbolism

There are many symbols referring to the sun in the video. As said above, Ra is an Egyptian sun god who is mentioned many times in the magic incantation-like “Rah-rah” chant.  Sun worship has always been at the center of occult mysteries as it is considered to be the ultimate representation of God.

 

Anti-Christian Symbolism

Christianity has always been at odds with occult secret societies. Persecutions and accusations come from both sides and one often defines itself by the negating the other. This is also represented in the video.

 

Reptilian Monster Symbolism

In some scenes, Gaga gradually starts to look like reptilian monster, with a focus on the spine.

 

Lady Gaga’s Bad Romance – The Occult Meaning

Lady Gaga’s videos and performances are extremely symbolic and filled with hidden messages. Her latest video, named “Bad Romance”, describes the dark and ritualistic inner-workings of the entertainment industry, by symbolically depicting Gaga as a sex slave. This article examines the occult symbols present in the video and its hidden meaning.


The video for the song Bad Romance is a mix of deep symbolism with sheer randomness, creative fashion with corporate product placements and modern day decadence with religious imagery, all rolled up in a great big music industry celebration. Gaga uses her odd-ball theatrical presence to its full extent to shock, creep-out and fascinate the viewers. If you’ve read my other articles on Lady Gaga (see Lady Gaga, The Illuminati Puppet pt 1 and pt 2), you’ll already be aware of the occult symbols permeating her imagery. I’ve mentioned the presence of mind control elements, of the horned god Baphomet, of secret societies and so on. Far from steering away from those themes, Gaga’s latest offering incorporates all of them in this video, which is a great big metaphor for the music industry. Let’s look at the song.

 

Concept of the Song

Bad Romance is the first single out of Gaga’s Fame Monster album. If you look back at her past works, the main message of her music is that she is willing to do anything, even sacrifice herself, to obtain fame. The video continues in the same vein by depicting Gaga as a willing victim in the music industry’s shady inner-workings. She wants to live a Bad Romance with the abusive, cruel and satanic music industry. She’s aware of all of its flaws but she still desires to be part of it more than anything else. She is a Fame Monster…she feeds off of fame…she enjoys being famous…if she is not famous, she’ll die or something…you get the picture. At face value, the song lyrics seem to be about her wanting to get “banged” by a kind of psychopath, but the video reveals that the psychopath is in fact the music industry.

The song starts with a weird chant that goes

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

This is the type of senseless crap drunk people like to yell in those disco dance parties you crazy kids go to. Is there a deeper meaning to it? Gaga announces it in a weird, gothic accent, in the manner of a ceremonial/incantation, a little like the “Bum-bum-bedum” of Rihanna’s Disturbia (article here). Ra, as the name of the ancient Egyptian sun god, is still of great importance in today’s occultism (see the “Eye of Ra”, the All-Seeing Eye). Roma may be a reference to the roman catholic church, but I’m not sure. This could be interpreted in many ways so I won’t linger on it.

I want your ugly
I want your disease
I want your everything
As long as it’s free
I want your love
(Love-love-love I want your love)

I want your drama
The touch of your hand
I want your leather-studded kiss in the sand
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Right away, it is obvious that the love that Gaga is seeking is wrong and sick. She’s a sex slave and apparently, she likes it. She knows that the industry is ugly but she still wants in. There is an obvious sense of sadomasochism, as she seems to know that this love (of success in the music industry) will hurt her and treat her badly, but she’s up for it. As we will examine in the video, there is also a spiritual meaning to the lyrics where fame equals submitting to the dark, satanic side of the music industry. In other words, the song is also about submitting to evil and the imagery of the video corroborates this fact.

I want your horror
I want your design
‘Cause you’re a criminal
As long as your mine
I want your love
(Love-love-love I want your love-uuhh)

I want your psycho
Your vertigo stick
Want you in my rear window
Baby you’re sick
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

Here again, there is a mix of the “horror” of evil with hardcore sex references, which convey the fact that she wants to be “penetrated” by this evil influence in order to gain its favors. There are references to Hitchcock movies (Psycho, Vertigo) that are cleverly turned into sexually explicit lyrics.

During the bridge, Gaga sings emotionally “I don’t wanna be friends“. She does not want to be an outsider of the music industry, she wants to be part of it. Later she says “I want your love and, All your lovers’ revenge”, which means that she wants all of the attention of the music industry to the point that she also wants the “hate” of the artists who are jealous of her.

Of course, the lyrics are open to interpretation but the visuals of the video really give a particular meaning to the words. Gaga is not singing to a person, but to a group, an entity, an organization. She is singing to the Illuminati, to the music industry, to Baphomet: to the ones that have the power to make her famous. She wants to be part of that sinister and corrupt system and write a Bad Romance with it.

 

Analysis of the Video

The video is dense with symbols and odd images. Some are significant while others seem to be random. It is obvious that the whole concept is a huge allegory for the reality of fame. She plays the role of a mind-controlled and drugged sex slave who is prepared to get auctioned to members of the Russian mafia. Here’s the video.

 

Main Story Line

The video starts with Gaga emerging from what looks like a high-tech coffin or maybe a sensory deprivation tank.

At the beginning of the video, she is deprived of her senses. Either her eyes, her ears or her nose are covered. Sensory deprivation is a torture technique used on prisoners or mind controlled slaves in order to “break” them and to facilitate their re-education. She is a beginner, an amateur and she doesn’t really know what she’s doing.

In one scene, she is wearing thick sunglasses and talking to herself through a mirror.

This is reminiscent of The Who’s Tommy movie, where a deaf, dumb and blind boy only becomes responsive when staring at the mirror.

Gaga then bathes herself to “wash off her sins” as Gaga said in an interview about the video. She is “wide-eyed” and innocent but we’ll see that she’ll gradually turn into a “Fame Monster”.

She is then roughly handled by two women. She fights them but she finally accepts her fate and even raises her hands in praise.

Throughout the video, there is a back and forth between her being forced to go through with her duties as a slave and her willingness to go through with them. She is then forced to drink some vodka, which is in fact an MTV-friendly substitute for drugs. Mind controlled sex slaves are heavily drugged to numb their thoughts and make them easy to manipulate.

Gaga is then undressed and forced to perform in front of a bunch of men. Those mafioso can represent the Illuminati, the dark force ruling the music industry. The masks represent their hidden nature. Each individual represents a record company, and they are bidding to see who will sign her.


Gaga seems to be well aware of what is happening and she chooses to charm a particular guy, who seems to have what she wants. The masked man seems to enjoy what is happening to him and bids to obtain her.

One second left to the auction for the services of Lady Gaga

Gaga is then required to fulfill her duties as a sex slave by…you’ve guessed it… having sex with the winning bidder. So she proceeds into a very symbolic room.

On each side of the bed are gazelle heads, who symbolically refer to Baphomet, the horned idol of Western occultism.

If you’ve read my other articles on the music industry, you already know of the frequent use of the likeness of Baphomet in music videos and pictures. My past articles on Gaga have shown her posing in the same way as the image above. Strategically placed horned heads have appeared in her past videos and photo shoots. Having said that, the presence of those horned heads in that room is not merely decorative, it is very symbolic.

Gaga is “offering herself” at the altar of Baphomet in order to become initiated and accepted into the Order. She does not want “to be friends” with the music industry, she wants to be an insider (she’s not a “Fame Monster” for nothing). So this offering gets consumed by fire, and not sex, because it is about Baphomet and not the Russian guy. He was just a means for her to obtain what she wanted..fame.

When the fire starts, another scene plays simultaneously showing Gaga and masked dancers dressed in red, the color of sacrifice and initiation. The virginal white garments she wore during most of the video are replaced by bloody red, a visual confirmation of the fact that she is now initiated and accepted as an insider. In my article on the 2009 VMA awards (article here), we see that Lady Gaga and Taylor Swift start out the show wearing white garments and, after a symbolic performance, they appear completely dressed in red. The codes of the music industry seem to be used over and over again, in videos, award shows and photo shoots.

Gaga then makes her trademark “Eye in the triangle” hand gesture after her initiation to make it clear who owns her now…the Illuminati.

The final scene shows Gaga lying in bed with the burned skeleton of the Russian mafiosi.


Notice how everything is burnt except the two gazelle heads. The real “intercourse” happened between Gaga and Baphomet. The guy was a tool, a middle-man who was sacrificed in the process of Gaga’s initiation.

So Gaga basically went through the steps a mega-pop star has to go through in order to “make it big” in the music industry.  She ultimately got what she wanted and apparently played the game on her own terms. Let’s see how that works out for her.

Other Symbols

Aside from the main storyline, the video is riddled with numerous symbols and images which are occult in nature. Here are some of them:

Sun Symbolism

There are many symbols referring to the sun in the video. As said above, Ra is an Egyptian sun god who is mentioned many times in the magic incantation-like “Rah-rah” chant.  Sun worship has always been at the center of occult mysteries as it is considered to be the ultimate representation of God.

Anti-Christian Symbolism

Christianity has always been at odds with occult secret societies. Persecutions and accusations come from both sides and one often defines itself by the negating the other. This is also represented in the video.

The cross associated with the word “Monster” is also seen on her promotional pictures:


Reptilian Monster Symbolism

In some scenes, Gaga gradually starts to look like reptilian monster, with a focus on the spine.

There is a great resemblance with the devil in this painting by Michael Pacher. Notice the spine.


In Conclusion

Lady Gaga’s Bad Romance is by far the densest and most symbolic video I’ve ever analyzed. It is a metaphorical yet accurate description of the steps which must be taken in order to become part of the “mega-pop-star machine”. Submission, control, business negotiations, initiation, secrecy and the embrace of dark forces are all represented in the video. Once decoded, the song describes indeed the Bad Romance of the music industry. The machine uses artists, it pimps them, it cheats on them with new, hotter artists and it finally dumps them when the initial appeal is lost.

Gaga, the “Fame Monster” wants to be treated that way, knowing that there is not any other way to obtain world-wide fame. One might be extremely creative and talented, however fame can only be achieved through the exposure  provided by the media corporations. They are owned by a secretive elite, represented by the masks on the faces of the bidders in the video.  Bad Romance, more than simply serving the required dose of subversive symbolism to the MTV generation, offers a chilling description of a music industry ruled by the elite. And now comes the hardest part: getting this damn song out of my head.

 

 

 

 

 

 

 

 

 

 

 

 

4.7.10 16:40


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Lady Gaga’s “Alejandro”: The Occult Meaning

Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.

So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.

Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.

The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.

The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.

Spiritual Transformation

The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:

“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”

The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.

But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.

In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.

Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to  the sky. In this context, it is safe to say that Alejandro might very well be God.

“She hides true love
En su bolsillo.
She’s got a halo ’round her finger,
Around you.”

The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?

The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.

Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.

In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.

“In symbolism, an inverted figure always signifies a perverted power (&hellip Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”
- Manly P. Hall, Secret Teachings of All Ages

The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.

In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.

Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.

At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.

The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer&rdquo each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery

Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in  The Transhumanist and Police State Agenda in Pop Music.  The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.

The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?

Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her

The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.

In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

In a symbolic scene,  a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.

In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?

In Conclusion

As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.

Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale? Are members of the elite, who were thought to be part of “regular” religions, revealing their true, Luciferian selves to the public? Will the New World Order leave traditional religions in the dust to embrace a new type of spirituality?

Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. She also brings with her all of the Illuminati agenda and flashes in her fans faces the symbols of their own oppression. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about.

 

 

 
 
 
 

 

 

 

 

 

 

 

4.7.10 16:31


The Hidden Meaning of Lady Gaga’s “Telephone”

Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”..

Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the article Lady Gaga, the Illuminati puppet (which I suggest you read before this one), I dissected the Akerlund-directed video Paparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading.

 

The Hidden Meaning of the Song

When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:

 

“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”

 

What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.

In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.

 

“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.

Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
- Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse

 

So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.

“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.

K-kinda busy
K-kinda busy

Sorry, I cannot hear you, I’m kinda busy.”

 

By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.

“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”

Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.

 

Video Analysis

The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning

The Hidden Meaning of Lady Gaga’s “Telephone”

 Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control and, more specifically, Monarch Programming, a covert technique profusely used in the entertainment industry. We’ll look at the occult meaning of the video “Telephone”.. Just when I thought I’d written everything I had to write about Lady Gaga, Telephone comes out. An inevitable deluge of e-mails instantly followed, demanding an article about it. So I watched the video and, gosh darnit, the people who wrote those e-mails were right. There are, yet again, a whole bunch of Illuminati/mind control symbols in Lady Gaga’s latest video. I can’t say I was surprised, however, knowing that Jonas Akerlund co-wrote and directed the video. In the article Lady Gaga, the Illuminati puppet (which I suggest you read before this one), I dissected the Akerlund-directed video Paparazzi and its references to mind-control programming. Telephone acts as a sequel to Paparazzi, where Gaga still plays the role of a mind-controlled drone who kills people. This concept is never openly discussed by the artists when they are asked to explain their videos because it is not meant to be understood for the masses. The hidden meaning of the video actually depicts the elite’s contempt for the general population, hence the scene of ritual murder of average Americans in a diner by mind-controlled slaves. Don’t know what the hell I’m talking about? Keep reading.

 The Hidden Meaning of the Song

When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:

“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”
- Source

What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.

In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. Dissociation is the ultimate goal of Monarch mind control. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.

“Trauma-based mind control programming can be defined as systematic torture that blocks the victim’s capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim’s moral principles, spiritual convictions, and volition.

Installation of mind control programming relies on the victim’s capacity to dissociate, which permits the creation of new walled-off personalities to “hold” and “hide” programming. Already dissociative children are prime “candidates” for programming”.
- Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse

Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:

So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.

“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.

K-kinda busy
K-kinda busy

Sorry, I cannot hear you, I’m kinda busy.”

By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.

“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”

Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.


The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video:

The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.

In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.

 

Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a slave only obeying orders … and that she is needed again.

Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyoncé engage into a highly dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.

The dynamic duo then enters an all-American, good ol’-fashioned diner.  Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.

 

The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?

The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the general public through mass media. You can figure out the rest.

While the customers are agonizing and dying, Beyoncé puts on the Mickey Mouse sunglasses, the same glasses worn by Gaga in Paparazzi while killing her boyfriend.

 

In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.

Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing.  In her interview with E! Online about Telephone, Gaga stated she wanted to take
“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.”

Is that what she meant?

To sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.

“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”

Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagon wearing a leopard-print suit, a reference to “sex kitten” programming.

BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.
-Ron Patton, Project Monarch

In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders.

In Conclusion

Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them, and that is accomplished through controlled puppets. I will now pre-address comments I’m bound to receive:

“How is Lady Gaga mind controlling me? I’m not feeling controlled to do anything”
I am not saying that Gaga is controlling your mind. I’m saying her video is ABOUT mind control. This disturbing theme keeps reoccurring in pop music.  What you should ask yourself is this: does mass media shape and mold our society’s values and beliefs? Billions of dollars invested yearly in marketing say yes.

“Your articles are a form of mind control.”
Someone voicing an opinion on a website is not a form of mind control. Quite to the contrary, it is a freedom guaranteed by the first amendment. To compare this article to the ritual abuse mind control victims have to go through is a total aberration. If you were forced to read out loud this article numerous times while being  deprived of food and sleep, then maybe it could qualify as mind control.

“She is doing it on purpose to piss you off”
I heard this comment when Bad Romance came out and after her Grammy performance, where her hype man alluded to her “mind-controlling music”. As much as I would like to believe that I’ve got that much influence on today’s biggest star, I highly doubt that Gaga, her staff, her video directors and her record label with its millions of dollars would concentrate all of their creative efforts to piss off one blogger. The truth is: She was doing this before this site was even online and she keeps doing it now. Her works, like the works of many other pop stars, are part of a greater agenda. It used to focus on exposing the youth to materialism and sexual promiscuity, but it has now expanded to occult symbolism, mind control and transhumanism.

Am I reaching you or is your telephone busy?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4.7.10 16:27


Lady Gaga, the Illuminati Puppet – Part 2

This article is the second part of Lady Gaga, the Illuminati Puppet. The first article, published in August 2009, analyzed the occult meaning behind Gaga’s photo shoots and videos. We’ve seen that a great deal of her symbolism revolves around occultism, secret societies and references to mind control. This article analyzes Gaga’s latest media and the fact her symbolism is still permeated by the same themes.

 My first article on Stefani Joanne Angelina Germanotta called Lady Gaga, the Illuminati Puppet generated a great deal of interest and controversy. It got featured on many websites and I was deemed either a “genius” or “batshit crazy” depending on the point of view. I can confirm that I’m neither of those two things and that I’m just a guy who knows his symbolism. Many news sites and blogs linked to my article by deforming its original intent (probably for more sensationalism) by adding sarcastic remarks like “Oh No Lady Gaga Wants to Control our Minds!” or “The Crazy Lady Gaga Conspiracy“. I guess those reactions were to be expected. To people who are not acquainted with obscure concepts such as Monarch programming and occult symbolism, the whole thing might sound totally far fetched and ridiculous. But to those who have background knowledge and who have researched these topics (a small minority), I was simply stating the obvious.

Since this article, Gaga has released more material re-using  exactly the same  themes as were discussed in the first article: mind control and secret society occultism. I have to hand it to Gaga, she knows how to generate buzz and controversy around her persona and keep people guessing. The great majority of people still have no idea what her symbolism refers to. So, at the risk of being called “batshit crazy” again here’s Lady Gaga’s latest occult pictures.

Lady Gaga, the Illuminati Puppet – Part 2

Oct 29th, 2009 | By Vigilant | Category: Vigilant Reports

This article is the second part of Lady Gaga, the Illuminati Puppet. The first article, published in August 2009, analyzed the occult meaning behind Gaga’s photo shoots and videos. We’ve seen that a great deal of her symbolism revolves around occultism, secret societies and references to mind control. This article analyzes Gaga’s latest media and the fact her symbolism is still permeated by the same themes.

leadgaga2

My first article on Stefani Joanne Angelina Germanotta called Lady Gaga, the Illuminati Puppet generated a great deal of interest and controversy. It got featured on many websites and I was deemed either a “genius” or “batshit crazy” depending on the point of view. I can confirm that I’m neither of those two things and that I’m just a guy who knows his symbolism. Many news sites and blogs linked to my article by deforming its original intent (probably for more sensationalism) by adding sarcastic remarks like “Oh No Lady Gaga Wants to Control our Minds!” or “The Crazy Lady Gaga Conspiracy“. I guess those reactions were to be expected. To people who are not acquainted with obscure concepts such as Monarch programming and occult symbolism, the whole thing might sound totally far fetched and ridiculous. But to those who have background knowledge and who have researched these topics (a small minority), I was simply stating the obvious.

Since this article, Gaga has released more material re-using  exactly the same  themes as were discussed in the first article: mind control and secret society occultism. I have to hand it to Gaga, she knows how to generate buzz and controversy around her persona and keep people guessing. The great majority of people still have no idea what her symbolism refers to. So, at the risk of being called “batshit crazy” again here’s Lady Gaga’s latest occult pictures.

Masonic Photo Shoot

In my articles on Lady Gaga and the 2009 VMAs, I’ve identified the use and display of elements taken from Masonic symbolism. If my previous claims were considered inconclusive or “grasping at straws” by some, I wonder if they’ll remain skeptical of the presence of Masonic symbolism in pop culture after seeing this  set of photos, taken INSIDE A MASONIC LODGE,

If you have minimal knowledge of Freemasonry, you already know the great importance of the twin pillars Jachim and Boaz. They are depicted in a great number of Masonic works of art, such as this one.

Gaga is standing between both pillars, wearing Hello Kitty shoes, occultly referring to mind control programming (innocence, childhood, re-education, etc). Her eyes are closed but she has wide-open eyes painted on her eyelids, which is very symbolic: her eyes seem open but they are still wide shut.

In the picture above, Gaga is sitting on a Masonic throne, complete with the twin pillars on each side of her. Above her head is the compass of Freemasonry:

She is wearing a Hello Kitty dress and posing in a very mannequin-like stance. Her hands are positioned in way reminiscent of iconic art which displays the hermetic maxim “as above so below”.

In the  picture above, Gaga is standing next to the bust of an important Mason (easily recognizable by the collar). The “one eye” symbolism discussed in the previous article is still an intricate part of Gaga’s imagery. She is however far from being the only artist doing this (see Rihanna’s R Rated album cover). Hello Kitty is covering Gaga’s…kitty in another odd juxtaposition of Masonic symbolism with mind control, often found in entertainment photo shoots.

Maria from Metropolis Strikes Back

In the previous article, I’ve mentioned that the name “Lady Gaga” was taken from the Queen video Radio Gaga, in which many scenes were taken from the movie Metropolis. This movie is known for its highly occult themes (Black Magic, sacrifices to the pagan god Moloch, mind control, the whore of Babylon) and is very often referred to in the music industry.

In the movie, Maria, a girl from the working class, is “chosen” by the elite to give her likeness to a mind-controlled robot in order to confuse the masses. There is a dichotomy between the real and the false Maria that is also found in Gaga’s latest offering called Fame Monster.


In Conclusion

Since the publishing of the first article, Lady Gaga’s symbolism has continued to exploit the same themes as were previously discussed. Although she is very smart and educated in symbolism, the settings of the pictures are the creations of photographers, stylists and other “consultants”. Whether she is commenting on the mind control phenomenon in mass media or simply a victim of it is still hard to determine but one thing is for sure: the symbolism is there and that’s the goal of the article. What is more unsettling is the fact that those themes are not exclusive to Gaga. They are associated with many acts in the music and the fashion industry to a point that one inevitably realizes that these artists are pawns of a greater machine, pushing its symbols through various outlets. References to mind control, to secret societies, to Baphomet and to Metropolis are too widespread to be coincidences or results of artistic expression. There is an obvious media campaign pushing these elements into pop culture. What should we do about it? MTV says: Just dance.

 

 

 

 

 

 

 

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4.7.10 16:16


Lady Gaga, The Illuminati Puppet

The symbolism surrounding Lady Gaga is so blatant that one might wonder if it’s all a sick joke. Illuminati symbolism is becoming so clear that analyses like this one becomes a simple exercise of pointing out the obvious. Her whole persona (whether its an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.

Essential Background Information

What do you mean by “mind control”? I suggest you research “project MK Ultra” to get a little background information on the subject. Here’s a quick overview taken from the surprisingly accurate Wikipedia:

During their reeducation, subjects are said to be exposed to numerous symbols such as trees, spider webs, masks, mazes, butterflies, etc. They are also shown movies which contain specific symbols (or “triggers” such as The Wizard of Oz and many Disney Movies. The same way those subjects are brainwashed and reeducated, mass media conducts a large scale mind control project, which starts at birth with Disney movies and continues with Hollywood flicks and music videos.

OMG! What does this crazy stuff has to do with Lady Gaga? I luv her!!

What we must retain here is the symbolism Monarch project engendered and its use in mass media. Monarch is a type of butterfly and became the ultimate “insider’s”symbol of mind control. Symbolism surrounding Lady Gaga, in her pictures and videos, mixes those symbols with occultism of secret societies..  Her vacuous, robotic and slightly degenerate persona embodies all the “symptoms” of a mind control victim. Let’s look at what Lady Gaga represents, starting by the basics: her name

Her Name

Gaga is a term that immediately refers to absent mindedness. Here are some synonyms taken from a thesaurus:

  • Given to lighthearted silliness: empty-headed, featherbrained, flighty, frivolous, frothy, giddy, harebrained, lighthearted, scatterbrained, silly. Slang birdbrained, dizzy.
  • Afflicted with or exhibiting irrationality and mental unsoundness: brainsick, crazy, daft, demented, disordered, distraught, dotty, insane, lunatic, mad, maniac, maniacal, mentally ill, moonstruck, off, touched, unbalanced, unsound, wrong.

    “Gaga” is probably the easiest word to say in the English language, as it is often the first sound emitted by babies trying to imitate speech. So her name basically says: I’m a lady and I’m empty-headed. This empty head can filled with any crap you want. Imitate me young people. This state of mind is achieved after successful mind control.

    Her name is also said to be inspired by  Queen’s song “Radio Gaga”. The video of this song contains many scenes of the 1927 movie Metropolis.  As seen in my article on Beyonce/Sasha Fierce, the motion picture tells the story of a woman from the working class that was chosen by the elite to give life to a robot, through a mix of science and Black magic.

     This robot becomes a sexy and alluring performer and is given the goal to corrupt the working class. References to this movie abound in music videos, as if it was very significant for the occult elite. Madonna, Beyonce, Kylie Minogue and many others have taken the likeness of this female robot and, as you’ll see in the “Paparazzi” video, Lady Gaga also continues this “tradition”.

    Her logo is pretty revealing and particularly fitting. Its a headless female body with a bolt of lightning  going through her and exiting  her genitalia. There is once again a focus on the lack of conscious thought by the singer. The body looks like the weird headless mannequins you find at clothing stores. The bolt of lightning implies that her thoughtless body has been “charged” with a force that gives it life (interesting note: trauma-based mind control is often induced using electro-shock treatments).

    You only need to look at a couple of Lady Gaga pictures or videos to notice that she is constantly hiding one of her eyes. Most people will simply interpret this  as ”a cool thing to do” or a “fashion statement”. Those who have passed the 101 of Illuminati symbolism know that the All-Seeing Eye is probably its most recognizable symbol. The gesture of hiding one eye, usually the left one, goes way back in occult orders. Here’s an explanation of the origin of the Eye of Horus.

    ¨This last picture is very significant. It confirms the fact that the closed eye is used in the context of esoteric symbolism. Her left eye is in her hand, referring to the Hand of Fatima (evil eye). Also, one can’t ignore the resemblance with good ol’ Baphomet.

    Her Videos

    Almost all of Lady Gaga’s videos contain occult symbolism and not-so-subtle hints referring to mind control. We’ll first look at a short video used as an intro during her tour.

    Lady G is talking in a vaporous  and robotic way, as if she was lobotomized, about a man who “swallowed her brain”.  Gaga is questioned by a man who is talking in a very strange and hypnotic matter. If this is not about mind control, I have no idea what its about.

     PAPARAZZI VIDEO

     Lady Gaga, The Illuminati Puppet

    Aug 4th, 2009 | By Vigilant | Category: Vigilant Reports

    The symbolism surrounding Lady Gaga is so blatant that one might wonder if it’s all a sick joke. Illuminati symbolism is becoming so clear that analyses like this one becomes a simple exercise of pointing out the obvious. Her whole persona (whether its an act or not) is a tribute to mind control, where being vacuous, incoherent and absent minded becomes a fashionable thing.

    Essential Background Information

    What do you mean by “mind control”? I suggest you research “project MK Ultra” to get a little background information on the subject. Here’s a quick overview taken from the surprisingly accurate Wikipedia:

    Project MK-ULTRA, or MKULTRA, was the code name for a covert CIA mind-control and chemical interrogation research program, run by the Office of Scientific Intelligence. The program began in the early 1950s, continuing at least through the late 1960s, and it used United States citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the surreptitious use of many types of drugs, as well as other methods, to manipulate individual mental states and to alter brain function.

    Project MK-ULTRA was first brought to wide public attention in 1975 by the U.S. Congress, through investigations by the Church Committee, and by a presidential commission known as the Rockefeller Commission. Investigative efforts were hampered by the fact that CIA Director Richard Helms ordered all MK-ULTRA files destroyed in 1973; the Church Committee and Rockefeller Commission investigations relied on the sworn testimony of direct participants and on the relatively small number of documents that survived Helms’ destruction order.

    Although the CIA insists that MK-ULTRA-type experiments have been abandoned, 14-year CIA veteran Victor Marchetti has stated in various interviews that the CIA routinely conducts disinformation campaigns and that CIA mind control research continued. In a 1977 interview, Marchetti specifically called the CIA claim that MK-ULTRA was abandoned a “cover story.”

    An outgrowth of that project is unofficially referred to as “Project Monarch”. It is a mind control technique which exposes the subject to a trauma so violent that his/her mind creates a dissociation. The victim’s brain becomes compartmentalized and a new personality, which is then molded and educated  by the manipulators, emerges.

    “When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.”


    Butterfly Symbolism

    During their reeducation, subjects are said to be exposed to numerous symbols such as trees, spider webs, masks, mazes, butterflies, etc. They are also shown movies which contain specific symbols (or “triggers” such as The Wizard of Oz and many Disney Movies. The same way those subjects are brainwashed and reeducated, mass media conducts a large scale mind control project, which starts at birth with Disney movies and continues with Hollywood flicks and music videos.

    OMG! What does this crazy stuff has to do with Lady Gaga? I luv her!!

    What we must retain here is the symbolism Monarch project engendered and its use in mass media. Monarch is a type of butterfly and became the ultimate “insider’s”symbol of mind control. Symbolism surrounding Lady Gaga, in her pictures and videos, mixes those symbols with occultism of secret societies..  Her vacuous, robotic and slightly degenerate persona embodies all the “symptoms” of a mind control victim. Let’s look at what Lady Gaga represents, starting by the basics: her name

     Her Name

    Gaga is a term that immediately refers to absent mindedness. Here are some synonyms taken from a thesaurus:

  • Given to lighthearted silliness: empty-headed, featherbrained, flighty, frivolous, frothy, giddy, harebrained, lighthearted, scatterbrained, silly. Slang birdbrained, dizzy.
  • Afflicted with or exhibiting irrationality and mental unsoundness: brainsick, crazy, daft, demented, disordered, distraught, dotty, insane, lunatic, mad, maniac, maniacal, mentally ill, moonstruck, off, touched, unbalanced, unsound, wrong.
  • “Gaga” is probably the easiest word to say in the English language, as it is often the first sound emitted by babies trying to imitate speech. So her name basically says: I’m a lady and I’m empty-headed. This empty head can filled with any crap you want. Imitate me young people. This state of mind is achieved after successful mind control.

    Her name is also said to be inspired by  Queen’s song “Radio Gaga”. The video of this song contains many scenes of the 1927 movie Metropolis.  As seen in my article on Beyonce/Sasha Fierce, the motion picture tells the story of a woman from the working class that was chosen by the elite to give life to a robot, through a mix of science and Black magic.

    This robot becomes a sexy and alluring performer and is given the goal to corrupt the working class. References to this movie abound in music videos, as if it was very significant for the occult elite. Madonna, Beyonce, Kylie Minogue and many others have taken the likeness of this female robot and, as you’ll see in the “Paparazzi” video, Lady Gaga also continues this “tradition”.

    Her Logo

    Her logo is pretty revealing and particularly fitting. Its a headless female body with a bolt of lightning  going through her and exiting  her genitalia. There is once again a focus on the lack of conscious thought by the singer. The body looks like the weird headless mannequins you find at clothing stores. The bolt of lightning implies that her thoughtless body has been “charged” with a force that gives it life (interesting note: trauma-based mind control is often induced using electro-shock treatments).

    All-Seeing Eye Symbolism

    You only need to look at a couple of Lady Gaga pictures or videos to notice that she is constantly hiding one of her eyes. Most people will simply interpret this  as ”a cool thing to do” or a “fashion statement”. Those who have passed the 101 of Illuminati symbolism know that the All-Seeing Eye is probably its most recognizable symbol. The gesture of hiding one eye, usually the left one, goes way back in occult orders. Here’s an explanation of the origin of the Eye of Horus.

    Horus, the sun of Osiris and Isis was called ‘Horus who rules with two eyes’. His right eye was white and represented the sun: his left eye was black and represented the moon. According to the myth, Horus lost his left eye to his evil brother, Seth, who he fought to avenge Seth’s murder of Osiris. Seth tore out of the eye but lost the fight. The eye was reassembled by magic, by Thoth, the god of writing, the moon and magic. Horus presented his eye to Osiris, who experienced rebirth in the underworld.
    -Dictionary of the Occult

    One thing is for sure: Lady is Gaga for the All-Seeing Eye.

     

     

    This last picture is very significant. It confirms the fact that the closed eye is used in the context of esoteric symbolism. Her left eye is in her hand, referring to the Hand of Fatima (evil eye). Also, one can’t ignore the resemblance with good ol’ Baphomet.

    How about this ad…could there by more pyramids and eyes?

     Her Videos

    Almost all of Lady Gaga’s videos contain occult symbolism and not-so-subtle hints referring to mind control. We’ll first look at a short video used as an intro during her tour.

    Intro Tour Video

    Lady G is talking in a vaporous  and robotic way, as if she was lobotomized, about a man who “swallowed her brain”.  Gaga is questioned by a man who is talking in a very strange and hypnotic matter. If this is not about mind control, I have no idea what its about.

    Paparazzi Video

    This video is loaded with symbolism but we’ll focus on the main story. It basically describes the fall and rise to the top of Lady Gaga, who, during the process, went through a huge metamorphosis.

    Lady is in a bedroom with  her boyfriend and they’re “getting it on”. Notice the Masonic checkerboard pattern on the wall and a ram’s head, representing Satanism. He takes her outside on the balcony (which also features a checkerboard pattern). After noticing cameras taking pictures, the guy starts acting strangely and things get violent. He finally pushes Lady off the balcony.

    While falling down, the background becomes a swirling pattern, typically associated with hypnotism. Lady Gaga falls down rather stylishly, hinting the fact that this descent is not physical. It represents the “trauma” victims of mind control have to go through in order to be “rebuilt from scratch”.

    Lady Gaga then enters a mansion in a wheel chair and gradually takes off her clothes.

    She slowly starts walking, with the help of crutches, representing her reeducation by the occult elite (she is inside a mansion). She is dressed like a robot, hinting Maria from the movie Metropolis, as seen above. Another scene shows her dancing in a half white/half black wedding dress. This signifies her (forced) association with the “dark Brotherhood”. Her transformation is then complete.

    We then see her next to the boyfriend that pushed her off the balcony.

    She is wearing Mickey Mouse clothes, hinting once again Monarch programming. She is behaving in a very robotic way, as if her thoughts and actions were controlled by someone else. Gaga then proceeds to poison the guy and smiles very weirdly about it. The fact that she murdered her boyfriend refers to the level “Delta” of the Monarch project, which is also known as the “killer” programming. Here’s a description of it

    After carrying out her murderous mission, Lady Gaga is more popular than ever and reaps the rewards of being an Illuminati slave.

    The director of the Paparazzi is wearing a Venom shirt, bearing the face of Baphomet and the Sigil of the Church of Satan. So, there is a chance  that the director is slightly aware of those kinds of things.

    To Conclude

    Lady Gaga incorporates in her videos, photos and shows symbolism that refers to the Illuminati and mind control. Her symbolism is deep, esoteric and even spiritual yet she makes song like “Just Dance” which is about being totally numb. This paradoxical aspect of Lady Gaga is something that deserves to be analyzed and understood. While masses of young people imitate Gaga’s gestures, her act is part of a bigger system that incorporates many other stars with the same symbolism.  She is creative and a gifted song writer. But at the end of the day, the “Lady Gaga” persona is a Fame Monster, doing everything required to be an international superstar, including incorporating in her act the symbolism of the elite, making her an Illuminati puppet.

     

     

     

     

     

     

     

     

     

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    4.7.10 16:08


    Sonntag: Cotton Candy

    Inspirationen des Tages:

     - Blonde ambition [Pixie Lott] blonder ehrgeiz

    -pint-sized  / winzig

    -top-not erstklassig/erste sahne,spitzenmässig

    -carousel

    -platinum

    -teeny-weeny winzig,klitzeklein

    -bleary-eyes verschlafen

    -black leather mini skirt

    -tights strumpfhosen

    -tigh/s oberschenkel

    -long-lasting dauerhaft

    -brilliant

    -to fancy schwärmen, glauben,meinen, modisch

    -diva

    -starlet/superstarlet sternchen

    -coffee

    determined  entschlossen

    ordinary lady - gewöhnliches mädchen. nothing special/not a special 1

    copycat nach-ahmerin

     

    4.7.10 12:04


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